WRITINGS

Excerpts from a lecture at PS1 published in Speculations (The Future is _____). New York: Triple Canopy, 2015, pp. 82-83, 101-103, 207-208, 227

“Facial Turn: An Interview with Heather Leigh McPherson.” In Heather Leigh McPherson: A Platform for Traits. Providence, RI: PC Galleries at Providence College, 2015  link

“The Quick and the Slow.” In Katharina Grosse: psychylustro, ed. Elizabeth Thomas. Cologne: Walther König, 2014, pp. 81-89

“Fernand Léger: Objects, Abstraction, and the Aesthetics of Mud.” In Nothing But the Clouds Unchanged: Artists in World War I, eds. Gordon Hughes and Philipp Blom. Los Angeles: The Getty Research Institute, 2014, pp. 54-61

“No Alternatives, One Imperative.” The Brooklyn Rail [online], February 2013  link

“Face Effects.” In Amy Sillman, ed. Helen Molesworth. Boston: Institute for Contemporary Art, 2013, pp. 118-125

“A Public Museum.” SFMoMA Open Space [online], December 6, 2012  link

Response to Questionnaire on Occupy Wall Street (with Jaleh Mansoor and Daniel Spaulding). October no. 142, Fall 2012, pp. 48-50  pdf

“Notes on Selma James at Occupy Philadelphia, March 7-8, 2012.” n+1 Occupy! Gazette, no. 4, April 2012, pp. 22-24  pdf

“From Occupation to Communization.” n+1 Occupy! Gazette, no. 3, February 2012, pp. 30-31  pdf

“Eyes in the Heat: Figuration in Jean Dubuffet, Cathy Wilkes, and Josh Smith.” Artforum, Summer 2011, pp. 366- 375  pdf

“Elegant Obstinacy/Meaningless Work” (with Erica Levin). In We Have as Much Time as it Takes, Wattis Institute for Contemporary Arts, 2010, pp. 21-28

“Guernica: Arrest and Emergency.” In Picasso Harlequin, 1917-1937, ed. Yve-Alain Bois. Milan: Skira, 2008, pp. 101- 112   pdf

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